Creating a Business Around Web Video
...the creators of EepyBird, named after a character that a friend invented, know that their tale of entrepreneurial adventure on the Internet is just the first act of a larger media drama overtaking their lives, where little players are drawing the attention of big players. It is also making them important players in shaping the young business of selling entertainment on the Web.
...EepyBird.com is among the small but growing fraternity of entertainment sites — like Askaninja.com, Rocketboom.com, Jibjab.com and Roosterteeth.com — that are starting to reap a tiny part of that ad revenue, while benefiting from sponsorships, celebrity appearance fees and other sources.
“The Internet is a social space, a new town square,” said Mr. Voltz, who was raised in San Francisco, where he performed as a juggler and fire eater on street corners. “If you’re an entertainer or an advertiser, you need to be there.”
There is, however, a seemingly skeptical quote from TV guru Shelly Palmer that livens up the story:
For now, the online entertainment business is producing “digital snacks,” [Mr. Palmer] said.
“Anybody can become famous for 15 megabytes,” Mr. Palmer added. “But to be a real business, they have to be able to promote themselves without a viral success.”
What does that mean? Promote themselves the way TV promotes a new show, with pricey magazine ads, billboards, and on-air teasers?
Or perhaps he just means that the challenge is turning viral success into a regular, long-term viewership -- which will be tough.
Labels: EepyBird, Fritz Grobe, Shelly Palmer, Stephen Voltz
2 Comments:
That's the rock solid problem with the "viral" set. Past performance doesn't predict future growth. Right?
At Network2, we talk about the series-based content people are creating. Stuff with passion, but also with an eye towards sustainability in the long run.
Rocketboom made money in Web Video by sustaining distribution and audience. Ditto Ask a Ninja. You can say the same for Ze Frank, to some extent.
I think Something to be Desired, Galacticast, and other "series" based shows will make a better test model to making money than the Eepys. We love them, too, and interesting one-off content is interesting, but a "business" from such? I'm skeptical from being in the space for a year.
By Chris Brogan, at 9:49 PM
I think in the generation of Hollywood 2.0, the powerbrokers will not be studios - but marketing companies who are able to deliver eyeballs to the independents.
To some degree, stdios are already doing this - but I think the understandable focus on their own products will make them vulnerable for a much lighter entity whose one purpose is to market for their signed individual clients.
By The Unknown Filmmaker, at 5:37 AM
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