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Saturday, June 21, 2008

Russ Wintner on Cinemas of the Future

Here at Silverdocs, I had a chat yesterday with distribution consultant Peter Broderick about why the theatrical experience has been so slow to evolve... why more theaters don't let their communities choose the movies that play there, create more comfortable environments, offer better food, etc.

Back at the hotel, Russell Wintner e-mailed me to point me to an article he has written on just that topic -- mapping out the future of the theater. The piece is worth a read, as Wintner is one of the pioneers who kick-started the digital cinema revolution (and he grew up in a family that owned movie theaters.)

A snippet:

    Other technology under development will make the movie going experience even more immersive and dynamic. Two approaching technologies appear to come right from the pages of "Stranger than Science." Designs for laser light projectors were presented at the annual electronics conference NAB this past April. Laser-driven projectors offer more light, a wider range of color, and a switching capability that will allow for even better fidelity on the screen with frame rates higher than both traditional and home theaters. Quite possibly, laser projection will allow for 3D without glasses because the easily focused and directed light beams can be alternatively aimed at different parts of a screen designed to reflect into either the right or left eye but not both. Active display technologies, which enable images to emanate from a cloth-like material hung on walls or from ceilings, are a new technology that will remove the need for a projection booth. They should do for theater architects what digital has done for media. Buildings will be able to take on all sorts of shapes and configurations to better accommodate content and audiences. Theaters in the round, concert theaters with a mosh pit, and gaming salons where players share a common third-person point of view battling each other, or even better, a shared first-person point of view fighting aliens controlled by a computer, will all be possible.


The thing Wintner doesn't address -- but which is key -- is why most theater owners have been so passive about evolving their business and experimenting. Attend a ShoWest conference, and you will find that exhibitors are about the most unimaginative, status-quo-oriented businesspeople in America, simply waiting for the studios to give them hit movies that will draw big crowds.

Even Mark Cuban, who owns Landmark Theatres, has been *talking* a good game about radical theatrical innovations over the last three years but not really doing much.

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Monday, March 24, 2008

Mavs in 3-D ... Other Alternative Digital Content ... HD DVD Credits

- Tomorrow night's Mavs/Clippers game will be broadcast live in 3-D to one Landmark Theater in Dallas. They're using the Fusion 3-D camera system developed by Sony, James Cameron, and Vince Pace.

- The NY Times wrote yesterday about non-movie content in movie theaters. There's apparently a boomlet happening. From the story:

    Chains in Tennessee and New Jersey sell $25 tickets to performances of La Scala operas. AMC and Regal, two of North America’s biggest chains, have promoted concerts (Celine Dion), marathons of classic TV shows (“Star Trek”) and seasonal events (the St. Olaf Christmas Festival). On April 24, hundreds of theaters are scheduled to show highlights from the Drum Corps International World Championships.

    Few think nonmovie content will supplant movies as the primary reason people trek to the multiplex. Rather, the hope is that all the niche offerings will add up to steady supplemental income.


This is the kind of stuff that wasn't possible before digital cinema...

- People who bought HD DVD players from Best Buy and Circuit City can return them for store credits or gift cards, the Times' Bits blog reports.

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Thursday, May 31, 2007

4K digital projectors come to LA


Cinematical and The Hollywood Reporter have coverage of Landmark Theatre's new multiplex at the Westside Pavilion in LA, which features Sony SXRD 4K digital projectors in three of its auditoriums. These, along with one auditorium at Landmark's NuArt, are the only places where average ticket-buyers can experience 4K projection in Los Angeles. (4K projectors are already in place in Landmark cinemas in Atlanta, Boston, Chicago, Dallas, Indianapolis, New York, San Diego, San Francisco, Seattle and Washington.)

But there's a hitch: there isn't very much 4K content available today, or in the pipeline (most digital movies are now released in the lower-res 2K format). From Carolyn Giardina's piece in The Hollywood Reporter:

    Sony Pictures and Warner Bros. Pictures have created select 4K deliverables, but today's digital cinema content is typically available in 2K.

    "(4K content) is being developed as we speak," [Landmark co-owner Mark] Cuban said. "HDNet [Films, one of Cuban's production companies] plans on actively using 4K for productions and for distribution of content beyond just 4K theatrical." He said that some of the upcoming films he is producing would be mastering and distributed in 4K, though he declined to reveal details.

    Citing the aforementioned 4K content from Sony and Warners, Andrew Stucker, director of Sony's digital cinema systems unit, said: "It's still an expensive proposition. While 4K is coming, we expect the majority of the content will be 2K."

Here's the official Landmark page on the new multiplex... and coverage from Variety and the LA Times. (And one more from Variety.

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