posted by Scott Kirsner at
8:56 PM
CinemaTech focuses on how new technologies are changing cinema - the way movies get made, discovered, marketed, distributed, shown, and seen. (With occasional forays into other parts of the entertainment economy.) You can also follow CinemaTech on Twitter (@ctechblog).
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For about the last ten years, I've been writing about innovation for publications like the Boston Globe, the New York Times, Wired, Variety, Fast Company, the Hollywood Reporter, Salon.com, BusinessWeek, and Newsweek. I helped start (and continue to help run) three conferences: Future Forward, the Nantucket Conference on Entrepreneurship & Innovation, and Convergence: The Life Sciences Leaders Forum. I also often speak and moderate at other people's conferences, and serve as a commentator on TV and radio. (Which beats actual work.) You can reach me by e-mailing kirsner - at- pobox.com. My personal site is www.scottkirsner.com.
1 Comments:
Seems like Skywalker sound has a penchant for the scream.
If you made a collection of "Door Number 4" from the Hollywood Edge, you'd list about 1/4 of all movies ever made since the sound was recorded.
In low budget movies there would be maybe a hundred in the last decade with "angel swoosh."
Sound is sort of a subliminal art form and can get away with this. Would be interesting to see a collection of how many movies got away with using the same stock shot.
By
The Unknown Filmmaker, at 5:27 AM
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